La virgen de la lujuria (DVDrip - 2002)

In Vera Cruz in the 1940s, Nacho, an Indian, waits tables at Don Lázaro's café at Hotel Ofélia. He falls for Lola, an opium-addicted, alcoholic whore who's hopelessly in love with Gardenia Wilson, a masked wrestler who slept with her once but knows she's unbalanced. Don Lázaro warns Nacho about Lola, and Nacho knows his love will be unrequited, but he'll do anything, regardless of how degrading, to be near her. Lola, for her part, can be sadistic. Republican exiles who are regulars at the café encourage Lola's desire to assassinate Franco. Nacho in turn mixes this political mirage with his fascination with the plot of "The Mikado." Where do fantasies and obsessions lead?





Nacho is a servile waiter at the Cafe Ofelia in Vera Cruz, whose corpulent boss Don Lazaro (Julian Pastor) prides himself as being a full-blooded Spaniard even though he was born and raised in Mexico. The obedient brown-skinned waiter relaxes at night by jerking off to porn photos, and puts up with his boss's disrespectful way of treating him without getting angry (in a patronizing way the boss even likes Nacho). Things change one night when a sexy drunken, opium taking foreign whore, Lola (Ariadna Gil), hangs out at the bar and Nacho falls madly in love with her. Lola, who claims to be a Russian revolutionist living in Germany at one time as a circus performer and is not a Spaniard as the cafe owner believes, is only interested in a career-minded brutish masked wrestler named Gardenia Wilson (Alberto Estrella), whom she said gave her the best fuck she's ever had in her life and wants desperately to reunite with him. When the wrestler encounters Lola he rejects her as a worthless slut, which doesn't stop her from still wanting to become his slave lover. Meanwhile she has a sadistic streak in her and takes advantage of Nacho's slave-like devotion of her to treat him like dirt while only allowing him to kiss her feet as he devotes his life to try and please her every whim. The masochistic relationship continues as a group of artistic Republicans, expatriates from Spain, regularly meet in the cafe and sing songs from Gilbert & Sullivan's Mikado and impotently proclaim they should kill Franco. Nacho befriends the most human of the bunch, Gimeno (Juan Diego), who is a photographer of high-brow art that reflects his anarchist beliefs through historical reenactments. At his wit's end and losing track of reality at a fast rate, Nacho believes he can gain Lola's respect and thereby her love by killing Franco (something she echoes in her dreams). Nacho works things out with his photographer friend to stage a series of photos showing the waiter killing Franco.






México, años 40. Ignacio Jurado, “El Mikado” es un camarero más bien callado y solitario. Sus días transcurren entre el Café Ofelia y su colección de fotos pornográficas. Sin embargo, todo cambia cuando en su vida irrumpe Lola, una prostituta española no exenta de cierta ternura, autodestructiva e imprevisible. Entre ambos surge una relación sadomasoquista. El Mikado será capaz de cualquier cosa por hacerse merecedor del amor de Lola... Cualquier cosa, incluso matar a Franco.