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Forrest, Forrest Gump is a simple man with little brain activity but good intentions. He struggles through childhood with his best and only friend Jenny. His 'mama' teaches him the ways of life and leaves him to choose his destiny. Forrest joins the army for service in Vietnam, finding new friends called Dan and Bubba, he wins medals, starts a table tennis craze, creates a famous shrimp fishing fleet, inspires people to jog, create the smiley, write bumper stickers and songs, donating to people and meeting the president several times. However this is all irrelevant to Forrest who can only think of his childhood sweetheart Jenny. Who has messed up her life. Although in the end all he wants to prove is that anyone can love anyone.

IMDB User Rating: 8.5/10 (198,728 votes) Won 6 Oscars.

Top 250: #53

http://www.imdb.com/title/tt0109830/




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David Gilmour ... Himself - Lead guitars, bass guitars & lead vocals

Nick Mason ... Himself (drums & percussion)

Richard Wright ... Himself - Keyboards & vocals

Guy Pratt ... Himself - Bass guitar & backing vocals

Dick Parry ... Himself - Saxophones

Tim Renwick ... Himself (guitars)

Jon Carin ... Himself - Synthesizers & backing vocals

Gary Wallis ... Himself (percussion)

Sam Brown ... Herself - Backing vocals

Claudia Fontaine ... Herself - Backing vocals

Durga McBroom ... Herself (backing vocals)

Directed by ... David Mallet


"Shine On You Crazy Diamond"
"Learning To Fly"
"High Hopes"
"Take It Back"
"Coming Back To Life"
"Sorrow"
"Keep Talking"
"Another Brick In The Wall (Part Two)"
"One Of These Days"
"Speak To Me"
"Breathe"
"On The Run"
"Time"
"The Great Gig In The Sky"
"Money"
"Us And Them"
"Any Colour You Like"
"Brain Damage"
"Eclipse"
"Wish You Were Here"
"Comfortably Numb"
"Run Like Hell"

NoPass :

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Побег из Шоушенка / The Shawshank Redemption (1994)

По рассказу Стивена Кинга "Рита Хэйворт и искупление в тюрьме Шоушенк". Энди Дюфрейн (Тим Роббинс), вице-президент солидного банка, приговаривается к двум пожизненным заключениям по обвинению в убийстве жены и ее любовника. Он отбывает заключение в тюрьме Шоушенк, где проходит все круги ада, проявляя недюжинное мужество, упорство и хладнокровие. Повествование идет от лица чернокожего зэка по имени Ред (Фриман), с которым Энди крепко сдружился. Благодаря своему мощному интеллекту и финансовым талантам экс-банкир становится неофициальным помощником тюремного начальства, что дает ему возможность пользоваться определенными поблажками и привилегиями. Но самый большой сюрприз новоявленный граф Монте-Кристо уготовил под финал (см. название). Был бы фильм минут на двадцать короче, цены бы ему не было. Тем не менее фильм собрал много номинаций: за лучший фильм, за лучшую мужскую роль (Морган Фримэн), лучший адаптированный сценарий, операторскую работу, монтаж, музыку, звук.

Информация о фильме

Название: Побег из Шоушенка

Оригинальное название: The Shawshank Redemption

Год выхода: 1994

Жанр: Драма / Криминал

Режиссер: Фрэнк Дарабонт

В ролях: Тим Роббинс, Морган Фриман, Боб Гантон, Уильям Сэдлер, Клэнси Браун, Джил Беллоуз, Марк Ролстон, Джеймс Витмор, Джеффри ДеМун, Ларри Бранденбург

По рассказу Стивена Кинга "Рита Хэйворт и искупление в тюрьме Шоушенк". Энди Дюфрейн (Тим Роббинс), вице-президент солидного банка, приговаривается к двум пожизненным заключениям по обвинению в убийстве жены и ее любовника. Он отбывает заключение в тюрьме Шоушенк, где проходит все круги ада, проявляя недюжинное мужество, упорство и хладнокровие. Повествование идет от лица чернокожего зэка по имени Ред (Фриман), с которым Энди крепко сдружился. Благодаря своему мощному интеллекту и финансовым талантам экс-банкир становится неофициальным помощником тюремного начальства, что дает ему возможность пользоваться определенными поблажками и привилегиями. Но самый большой сюрприз новоявленный граф Монте-Кристо уготовил под финал (см. название). Был бы фильм минут на двадцать короче, цены бы ему не было. Тем не менее фильм собрал много номинаций: за лучший фильм, за лучшую мужскую роль (Морган Фримэн), лучший адаптированный сценарий, операторскую работу, монтаж, музыку, звук.

IMDB 9.2/10 (325,355 votes) Top 250: #2

Выпущено: США, Castle Rock Entertainment

Продолжительность: 02:16:15

Озвучивание: Профессиональное (многоголосое)

Файл

Формат: DVD Video

Качество: DVD

Видео: PAL 16:9 (720x576)

Аудио: Russian (Dolby AC3, 6 ch), Russian / English (Dolby AC3, 2 ch)

Субтитры: Russian

Размер: 7.46 GB

Дополнительно: Смотрите на DVD

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A young boy becomes infactuated by a circus act assisstant. On one side the boy is looking for a mother figure and is comforted by the assistant, but on the other hand is beginning to develope urges for her. .... He attempts to win her heart, even though he is only about twelve years old. He grdually gets involved in her life and becomes emotionally attached. The ending captures the pain and torment you can encounter when you become infactuated by someone you can't have. The film leaves you wondering about the time when you went through the same things yourself. A very interesting piece of work with a few odd quirks that really get you involved in this young boys life and the torment he goes through as he attempts to understand the urges and feelings he is having.







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Info:

The feature film Stargate, written by Dean Devlin and directed by Roland Emmerich, was released in 1994. The film was intended to be the start of a film franchise, but Emmerich moved on to create Independence Day and Godzilla.[9] The film was not continued in a cinematic trilogy as originally envisioned, but the story was later expanded by writers and developers other than Emmerich and Devlin.

Emmerich and Devlin do not consider Stargate's spin-offs to be valid continuations of the original story of the film. Although Lionsgate now owns major rights to the original film, MGM owns the rights to the franchise, and as such, Emmerich and Devlin were unable to see "their" sequels made,[10] as a result, some fans of the film reject the series and some fans of the series reject the film.[11] Devlin has stated that he plans to write his own sequel to Stargate separate from the spin-offs' storyline, resulting in two versions of the continuing story.[10]

The production budget of the film was estimated as $55,000,000. The film achieved gross worldwide ticket sales of $196,600,000, with opening weekend sales of $16,600,000.[12] Critical reaction to the film was varied. Some critics were unimpressed with the action-driven plot[13] that was carried along by special-effects, and a somewhat slow beginning or poor ending.[14] Other critics were impressed with the film's deviation from the clichés of science fiction and unique and clever background plot.[15] Emmerich and Devlin were sued for plagiarizing the idea and the case was settled privately.[16] The film won the Saturn Award for Best Science Fiction Film and the BMI Film Music Award for David Arnold's musical score among others.[17]

Plot:
The film's plot lays the framework of the Stargate mythos. A brilliant Archeologist, Dr. Daniel Jackson (James Spader), is shunned by the academic world due to his far-fetched theories regarding the Great Pyramids. Dr. Catherine Langford privately hires him to decipher a set of symbols found on the cover stones of an ancient ring-shaped artifact (the Stargate) that was found at Giza in 1928. Jackson determines that the symbols are in fact constellations, and if 6 symbols are identified, a point in space can be extrapolated that corresponds to a "destination"; a seventh symbol defines the point of origin. This discovery unlocks the secret to using the Stargate for interstellar travel.

USAF Colonel Jack O'Neill (Kurt Russell), with Jackson, leads an expedition through the Stargate to the planet Abydos. In the film, only two Stargates are known to exist, i.e. the two connecting Abydos and Earth; hence the purpose of the mission is to determine whether Abydos poses a danger to Earth, and, if so, to destroy the gate on Abydos to protect Earth. Expansions of the film, such as SG-1, alter this premise, explaining that an entire network of Stargates exists.

On Abydos, O'Neil's team comes into conflict with an alien posing as the Egyptian sun god Ra (Jaye Davidson). Ra controls vast numbers of slaves who labor in his mine, living in fear and ignorance. The slaves are the descendants of humans who were transported to Abydos from Ancient Egypt to mine the mineral needed to sustain Ra's life. O'Neil's team befriends the people of Abydos, and Jackson falls in love with and marries a woman named Sha'uri, who was originally given to him by the people of Abydos as a peace offering. The team reveals Ra's hoax to the people of Abydos and leads them in revolution against him.

Before O'Neil is able to detonate a nuclear warhead to seal the pathway to Earth, Ra steals the bomb and uses the same mineral comprising the Stargate to increase its destructive power a hundredfold, with the intention of sending the bomb back to Earth through the Stargate. O'Neil is unable to defuse the detonation timer, and alternatively transports the bomb onto Ra's space-vessel. It detonates, destroying both Ra and his ship. With Ra's destruction, the slaves of Abydos are liberated.

O'Neil and the surviving members of his team return to Earth, but Jackson stays behind to live with his wife.

Galina Ustvolskaya - Piano sonatas (1994/1995/1998/1993)

For our hardcore, here's a triple bill on Ustvolskaya's piano sonatas, written between 1947 and 1988. As Reinbert de Leeuw puts it in the Dutch documentary series 'Tone masters' from 1993: "To study this, to really get involved, is in the first place painful, it demands unbelievably much force of the player, dynamic signatures range between 3 and 6 fortes. In the beginning I had to stop practising after 10 minutes, because it just got to painful for my hands. And that is a peculiar experience, that you're busy for hours and hours with a piece in which you just hammer away with extreme force on a piano". If you read the accompanying scores, you may see what he is talking about.

Galina Ustvolskaya - Piano sonatas (1994)

“

This CD contains six works. Like me, I suspect many listeners will find they must take them one or two (at most) at a time-such is their demand on our attention, such is their ferocity of focus. Oleg Malov was close to the composer and premiered many of these works. He seems to understand Ustvolskya's intentions perfectly. One cannot imagine his performances bettered. Indeed, No.3 was written for him. The piano that is uncovered, or perhaps recovered, for us by these works is sparse, dry, sometimes percussive, and highly articulate. Every detail of melodic line, every voice of counterpoint, every rhythmic cell, every jarring cluster, and every pianissimo/fortissimo contrast, is placed before the ear for precise acknowledgment. Ustvolskaya permits no emotive blurring, no sustaining pedals, no rubatos, no arpeggios, and no grace notes or filigree embellishments. Nothing but listening is required. How big a task mere listening turns out to be. Don Mager (at Eclectica)

”

1. Sonata nr. 1 (1947) (9:24)

Galina Ustvolskaya - The complete piano sonatas (1995)

“

Frank Denyer's recording for Conifer Classics ((75605 512622) is notable both for his very personal notes and the intensity of his totally committed performances. He reminds us of Ustvolskaya's spirituality and belief that her music speaks most clearly given in religious settings, representing fear of God, a gaze into the abyss leaving the listener ultimately "dazed and isolated in inner darkness". This recording is indispensable. Peter Grahame Woolf (at Musicweb)

”

Galina Ustvolskaya - Piano sonatas (1998)

“

Mr. Hinterhäuser is an effective pianist, his interpretations, while lacking the sheer physicality of Ms. Schroeder's, do offer another dimension to Ms. Ustvolskaya's compositions - that of space. Hinterhäuser looks to the gaps, the rests between her intervals, for the subtleties in her austere lines and chords, for inspiration, and for revelation. And it works. Hinterhäuser concerned himself with the spiritual element that is clearly at the heart of Galina Ustvolskaya's work, and has moved through his use of her space to turn pessimism into a kind of frustrated longing, which, given her few statements over these last three decades, is an accurate appraisal of her aim. Thom Jurek (at All Music Guide)

”

1. Sonata nr. 1 (1947) (9:40)

Galina Ustvolskaya - Piano sonata nr. 5 (1993)

“

To study this, to really get involved, is in the first place painful, it demands unbelievably much force of the player, dynamic signatures range between 3 and 6 fortes. In the beginning I had to stop practising after 10 minutes, because it just got to painful for my hands. And that is a peculiar experience, that you're busy for hours and hours with a piece in which you just hammer away with extreme force on a piano. Reinbert de Leeuw (in 'Tone masters', VPRO, 1993)

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